In 2018 Aslı Çiçek, in collaboration with Jurgen Persijn, created the scenography of the exhibition Beauty is Everywhere, a retrospective of the work of the French avant-garde painter Fernand Léger at Bozar in Brussels. Although scenography may not be the right term. There is something else at stake here: the creation of a narrative space.

Aslı Çiçek has built up a real repertoire as a scenographer. For the Centre of Fine Arts in Brussels alone, she has already designed the scenographies of such major exhibitions as Imagine Istanbul: Europalia Turkey (2015),
Theo Van Doesburg (2016, also in collaboration with Persijn), and more recently Constantin Brancusi: Sublimation of Form (2019). And yet she has had no specific art training in scenography. She graduated as an architect from the Akademie der Bildenden Künste in Munich and then went on to work in the architectural firms of Gigantes Zenghelis and Robbrecht en Daem. But it is precisely that training and experience as an architect that characterize her scenography assignments. After all, for each scenography Çiçek uses the architectural approach in which she is proficient.